Open Captions

What is an Open Captioned Film and How Does it Work?

New digital technology makes it possible to show open-captioned films at select showings of new, first run films.

Marcus Theatres® is among the first theatre circuits in America to install systems so our deaf and hard-of-hearing guests will see open-captioned films during selected showtimes at specially equipped theatres.

With this new open-caption system, the movie is still projected from 35mm film, but open-captions are superimposed over the bottom of the movie by a digital video projector. The technology for this new system was developed by DTS® (Digital Theatre Systems, Inc.)

We are pleased to offer weekend show times of selected open-captioned films for our guests. Please see the movies below.

In a happy suburban neighborhood surrounded by white picket fences with flowering rose bushes, sits a black house with a dead lawn. Unbeknownst to the neighbors, hidden beneath this home is a vast secret hideout. Surrounded by a small army of minions, we discover Gru, planning the biggest heist in the history of the world. He is going to steal the moon! Gru delights in all things wicked; he vanquishes all who stand in his way. Until the day he encounters the immense will of three little orphaned girls who look at him and see something that no one else has ever seen: a potential Dad.

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb�s rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now, Cobb is being offered a chance at redemption. One last job could give him his life back, but only if he can accomplish the impossible -- inception.

Centers on a CIA officer who is fingered as a Russian sleeper spy. She eludes capture by superiors who are convinced she is out to assassinate the president. While trying to reunite with her family, she struggles to prove someone else is the traitor.

NYPD Detectives Christopher Danson and P.K. are the baddest and most beloved cops in New York City. They don't get tattoos - other men get tattoos of them. Two desks over and one back, sit Detectives Allen Gamble and Terry Hoitz. You've seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They're not heroes - they're "the Other Guys. But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into New York City's biggest crime. It's the opportunity of their lives, but do these guys have the right stuff?

Liz Gilbert had everything a modern woman is supposed to dream of having -- a husband, a house, a successful career -- yet like so many others, she found herself lost, confused, and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything to change her life, embarking on a journey around the world that becomes a quest for self-discovery. In her travels, she discovers the true pleasure of nourishment by eating in Italy; the power of prayer in India, and, finally and unexpectedly, the inner peace and balance of true love in Bali.

In the latest installment, Nanny McPhee appears at the door of a harried young mother, Mrs. Isabel Green, who is trying to run the family farm while her husband is away at war. But, once she's arrived, Nanny McPhee discovers that Mrs. Green's children are fighting a war of their own against two spoiled city cousins who have just moved in and refuse to leave. Relying on everything from a flying motorcycle and a statue that comes to life to a tree-climbing piglet and a baby elephant who turns up in the oddest places, Nanny McPhee uses her magic to teach her mischievous charges five new lessons.

Rear Window Caption

Rear Window Captions The patented Rear Window® Captioning System displays reversed captions on a light-emitting diode (LED) text display which is mounted in the rear of a theater. Deaf and hard-of-hearing patrons use transparent acrylic panels attached to their seats to reflect the captions so that they appear superimposed on the movie screen. The reflective panels are portable and adjustable, enabling the caption user to sit anywhere in the theater. The Rear Window System was co-developed by WGBH and Rufus Butler Seder of Boston, Mass.